Guillaume Hebert created this image by combining his photograph of an ordinary city street with Cole Thomas’s painting The Arcadian (1834).

Guillaume Hebert superimposed a photograph of a basketball hoop with William Turner’s painting Avernus Lake, Aeneas and the Cumaei Sibylle (1815) in this image.

Hebert used Photoshop to combine his photograph of a concrete wall with Lucas Van Valckenborch’s painting Mountainous River Landscape (1580).

Here, a photograph of a nondescript building stands against Salvator Rosa’s painting Landscape in the Bay of Naples (1637).

A photograph of a simple metal shed is placed against a background taken from Dughet Gaspard’s Landscape in the Roman Campagna (1670) in this hybrid image.

For this image, Hebert placed his photograph of a stack of shipping pallets against a sky pilfered from Jean-Honoré Fragonard’s painting Le Rocher (1764).

Hebert worked hard to match the lighting and color of photographs and paintings, such as in this grisaille hybrid of an urban photograph with the sky of Philips Koninck’s An Extensive Landscape with a Road by a River (1655).

Here, Hebert juxtaposes his photograph of an ordinary road embankment against Claude Lorrain’s Landscape with Aeneas at Delos (1672).

A photograph of a concrete dam is seamlessly melded with William Marlow’s View of Matlock Bath (1780) in this dual-media image.

In this image Hebert combines a photograph of a building under construction with J.M.W. Turner’s painting Rain, Steam and Speed (1844).

Eugène Delacroix’s Ovide Chez Les Scythes (1859) looms behind Hebert’s photograph of an anonymous industrial building in this hybrid image.

A photograph of a covered car sits in the foreground of painter Bertin Jean Victor’s Landscape (1804).

For this image, Hebert photographed a recycling site digitally superimposed against Francesco Zuccarelli’s Classical Landscape with Small Waterfall (1734).

An industrial dump is foregrounded against the painted mountains from Albert Bierstadt’s In the Hight Mountains (date unknown).

Hebert’s photograph of an urban construction site is placed against a painted landscape from William Marlow’s Castle on the Rhône River (date unknown).